The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. “You are the Sir John Ferringhall who has bought the Lyndmore estate, are you not?” she remarked. I asked him—to take me away. And there arose too, a background of shouts. I've always been more or less music-mad.
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