It was a second reminder that against her claim to go free and untrammelled there was a case to be made, that after all it was true that a girl does not go alone in the world unchallenged, nor ever has gone freely alone in the world, that evil walks abroad and dangers, and petty insults more irritating than dangers, lurk. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. But before the Grieg concerto was done, she knew that she was free. There’s nothing a girl can do that isn’t sweated to the bone. He cannot. The fates are never so kind to me.
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