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“Aunt!” she said, “I can’t—” Then she caught a wild appeal in her aunt’s blue eye, halted, and the door clicked upon them. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “I am sorry,” he said slowly. As they left Florence, dying men and women still scrabbled through the streets, screams emanating from the rows of houses, beggars running up to the horses, sick children in their arms, their eyes bleeding, their noses running, begging to join them in their journey out. Manning had shown on previous occasions that he found Ann Veronica interesting and that he wished to interest her. Sebastian dared not approach her. Gianfrancesco had told her about it, how he had played in it as a child with his brothers. As in a dream, Melusine saw her faithful footman struck, his headlong progress checked.

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