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Her aunt had secretly sent on to Ann Veronica some new warm underclothing, a dozen pairs of stockings, and her last winter’s jacket, but the dear lady had overlooked those boots. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. “It’s like the Picture and the Bust. “You see,” said Ann Veronica, staring before her at the window-sash, “that’s the form my question takes at the present time. However the taste of the architecture may be questioned, which was the formal French style of the period, the general effect was imposing. ‘Not where we’re going.

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