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“This is a very foolish sort of entertainment. She hid behind a mirage of piety, just as I do. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. By the time he had reached the summit of this hill, he had lost all trace of them; and the ardour of the chase having in some measure subsided, he began to reproach himself for his folly, in having wandered—as he conceived—so far out of his course. "So much the better," rejoined Sir Rowland. "No, no!" With a gesture, fierce and intolerant, she seized the Bible and thrust it out of sight, into the drawer. Heard voices.

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