“I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man. ‘What am I looking for?’ ‘A miniature. No sooner had they entered the room than Sharples, who waited to usher them in, hastily retreated, closed the door, and turning the key, laughed loudly at the success of his stratagem. But you don’t particularly want to do the job that sets you free—for its own sake. The supreme effect for Ann Veronica was its surpassing relevance; it made every other atmosphere she knew seem discursive and confused.
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