The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. "I fear we're too late," he whispered to Thames. If only there had not been this single torturing thought—a mere pin-prick, but still curiously persistent. Arrived at the audience-chamber, he set down the light upon a stand, threw open the door, and announced in a loud voice, but with the perfect intonation of the person he represented,—"Sir Rowland Trenchard.
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